The starting point of my artistic practice are themes that entangle distorted perception and spatiality, which I address and formulate in my acousmatic and electroacoustic pieces and performances. I work with fictional scenarios in which phantasmagorical objects appear as protagonists of cognitive and perceptual distortions. In these works of sonic fiction the de- and re-signification and contextualisation mediate the dissociating protagonists of referential incoherence. In my concerts I project these narratives into the respective venues and use the space as an instrument. By interacting with the particular acoustic properties of the spaces, these become an integral part of my music and, together with the imaginary narratives, form an altered spatial perception. 
In my improvised solo trombone performances, I make use of extended playing techniques and live-electronics in order to analogously point to anthropogenic sonic warning signals and alarms.  
In addition I curate and organise the concert series Spectres.